Fine Arts 228 Stained Glass
WINTER 2019-2020
Instructor: J.
Kenneth Leap
Office Location:
Doering Center
Office Hours: Tues
& Thurs 6-7PM
Office Phone
Number:
Cell Phone: 609 682 0456
Class time: 12:40PM – 3:15PM
Class Location: Room 221 Doering Center
COURSE DESCRIPTION:
This course will further the student’s skills in the art of
painting on glass within the larger context of architectural stained glass
design and construction. Students design and produce stained
glass panels containing elements demonstrating painting and fusing techniques.
Prerequisite: Passing grade in FA128.
CREDIT HOURS: This is a 3-credit hour studio art course, involving
55 clock hours of instructional time in the studio plus about 58 hours of work
in and out of the studio for a total of 112.5 hours for the entire course, or
about 11 hours per week over the 10-week term, plus about 2.5 hours of work in
exam week. In general, plan on spending about one hour outside of class for
every hour in class.
GENERAL GOALS:
- To
develop creativity by practicing creative thinking & problem solving
- To
introduce the student to the technique of glass painting and to understand
its role in the history of architectural stained glass
- To
learn the techniques required to design and fabricate a stained glass
window
- To learn
to mix, apply and fire glass-based pigments
- To
learn to handle tools and maintain the studio while following safe working
practices
- To
learn to document a complex process and explain the sequence of steps
- To
learn to develop a proposal in response to a design challenge
LEARNING OUTCOMES (by the end of the term you will be able
to):
1. Construct a stained glass panel
Skills introduced:
Selecting, using and maintaining
glass tools
Glass Cutting
Use of a grinding wheel
Assembly using lead came
Soldering
Applying putty
2. Mix, apply and fire glass-based pigments and stains
Skills introduced:
Selecting, using and maintaining paint
brushes
Mixing pigments with various
mediums
Applying line, tone, high-lighting
and textures
Understanding the different types
of glass pigments and how to use them
Firing and maintaining the kiln
3. Design a panel
Skills introduced
Accurate measuring
Thumbnail drawings
Patternmaking
Color selection
Understanding basic installation
requirements
Understanding basic engineering
& reinforcement requirements
4: Use an industry-specific practical vocabulary when
speaking and writing about glass
5: Keep a creative journal
6: Develop a proposal in response to a design challenge
Skills involved
Taking accurate site measurements
Reading a blueprint
Creating a scale drawing
Developing a color scheme
Creating a sample
Writing a “Statement of Intent”
communicating your design approach
REQUIRED PROJECTS
- Group
project (TBA)
- Reproduction
Panel
- Design
Challenge
- Design
journal – outside class
ASSESSMENT
The grading in this class is criteria-based. I require you
to keep a design journal/sketchbook, which you should bring to every class.
Sketchbooks will be collected twice during the term. During exam week we will
meet for a final presentation & discussion of your work. I will evaluate your performance in the class
on the following assessments: Did the student:
- Have a
regular and prompt attendance record? 10%
- Remain
attentive during the demos and during the rest of the class time were they focused on the task at hand? 10%
- Demonstrate
the skills listed in the learning outcomes? 25% [ID AALO3, Departmental
AALO4]
- Did they complete the required class projects and
writing assignments? 40% [ID AALO3, Departmental
AALO4, AALO5, AALO6]
- Develop the assignments artistically beyond the
basic required technical elements? 15% [Departmental AALO5,
AALO6]
LETTER GRADES:
F= Failing (Major
projects incomplete, lack of understanding of the skills, or had more than 2
unexcused absences.)
D= Minimal Pass (some elements incomplete,
some concepts not totally mastered, or had 1 unexcused absence.)
C= Good (all assignments completed,
some concepts not totally mastered)
B= Very Good (all assignments
completed and all concepts mastered)
A= Exceptional (student consistently
challenges self, projects show a confident mastery, creativity, or risk taking)
COURSE MATERIALS
No textbook is required for this course. All tools will be
provided for use during the course and must be returned in good condition or a
replacement fee will be assessed. A lab fee of $120 will be automatically put
on your bill. This fee covers the cost of the materials used in the projects
you will create during the class.
ATTENDANCE
This course involves skills and techniques that need to be
carefully demonstrated before you can do your projects effectively and safely.
Most classes will begin with a demo If you are late you will miss the
demonstration and be held back in your project. If you must miss due to
sickness or other emergencies, please notify me before class begins. I will
endeavor to make arrangements for you to learn any new skills or safety
procedures before you progress to the next project level. If you are
consistently late or you miss classes without an excuse it will affect your
grade.
USE OF ELECTRONIC DEVICES
In this class, the use of electronic devices is a privilege
not a right. During lectures or demos no phone calls, texting or listening to
music will be tolerated. At other times the policy will be relaxed. We will
probably enjoy music in class but no phone calls, texts and social media
activity should take place during class time.
TIME COMMITMENT
Class time plus additional lab time will be required to complete
the assigned projects. There will also be design exercises and journaling to be
completed outside of class. Students should expect approximately
5 hours of homework
per week. Field trips if offered outside of class time will count toward the
homework component. We will participate in the Sacred Arts Sunday event at
Glencairn Museum on Sunday April 26, 2015. All students are expected to attend.
ACADEMIC INTEGRITY
“Academic dishonesty, including plagiarism and cheating of
any kind will not be tolerated and will result in both academic consequences
and disciplinary action.” (Student Handbook, p.16) I am obliged to report any
dishonesty to the Dean of Academic Affairs. The grade for an assignment where
there has been dishonesty will be an “F”.
SUPPORT OF THE CORE
This course fulfills 3 credits toward the aesthetic
component of the Core Program.
STUDENT SUPPORT
Learning to work with new materials can be frustrating and
intimidating. It is possible to get injured with glass so always take the time
to be safe. Ask me rather than a classmate if you are unsure how to do a
process or use a tool correctly. I am happy to talk to you outside of class
time if necessary.
KENDRICK CENTER STAINED GLASS PROJECT SCHEDULE
|
Date
|
Class #
|
Subject
|
Tues
|
12/3
|
1
|
Introduction/Syllabus Review
|
Thurs
|
12/5
|
2
|
Site Visit Kendrick Center 1:30 pm
|
Tues
|
12/10
|
3
|
Client interview Kendrick Center 3:30pm
|
Thurs
|
12/12
|
4
|
Design discussion / mentors assigned
|
Tues
|
12/17
|
5
|
Preliminary
Designs with SGWP Students at BAC
|
Thurs
|
12/19
|
6
|
Design revisions and samples
|
Christmas Break
|
|||
Tues
|
1/7
|
7
|
Design Presentations Due for Final Review
|
Thurs
|
1/9
|
8
|
Design Presentation Kendrick Center 3:30
|
Tues
|
1/14
|
9
|
Work day
|
Thurs
|
1/16
|
10
|
Work day
|
Tues
|
1/21
|
11
|
SGWP students visit BAC 2:30 – 6PM dinner
|
Thurs
|
1/23
|
12
|
Work day
|
Tues
|
1/28
|
13
|
“Back-up Snow-day” SGWP students visit BAC
|
Thurs
|
1/30
|
14
|
Work day
|
Tues
|
2/4
|
15
|
Work day
|
Thurs
|
2/6
|
16
|
Work day
|
Tues
|
2/11
|
17
|
Work day
|
Thurs
|
2/13
|
18
|
Work day
|
Tues
|
2/18
|
19
|
Puttying window Kendrick Center 3:30PM
|
Wed
|
2/19
|
|
SGWP students complete window puttying/clean
|
Thurs
|
2/20
|
20
|
Window installation Kendrick Center 2:30PM
|
Tues
|
2/25
|
21
|
Window unveiling
Kendrick Center TBA?
|
Friday
|
2/28
|
|
Last day to turn in assignments for partial credit
|
LOCATION KEY:
BOLD meet at Kendrick Center
BOLD ITALIC meet at
BAC
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